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1.Hamlet was a fictitious character.
哈姆莱特是一个虚构的人物。收藏指正
2.The part of Hamlet was played by Laurence Olivier.
哈姆莱特一角是由劳伦斯·奥立弗扮演的。收藏指正
3.HAMLET Or of a courtier; Which could say ‘Good morrow, sweet lord!
哈姆莱特也许是一个朝臣,他会说,“早安,大人!收藏指正
4.Flint and Flash of Cold Steel——Internal Strife of the Danish Court——Hamlet and the Thirty-Six Strategies have some coincidence
丹麦宫廷内的刀光剑影——《哈姆莱特》与《三十六计》的暗合收藏指正
5.In the play “Hamlet”, it is usual for an actor to double the first gravedigger with the spirit of Hamlet’s father.
在《哈姆莱特》这出戏里,演员通常既要扮演第一个掘墓人也要扮演哈姆莱特父亲的幽灵。收藏指正
6.Among those plays, Hamlet is generally regarded as the summit of his art.
其中《哈姆莱特》更被誉为其艺术创作的颠峰之作。收藏指正
7.This paper starts with an analysis of Hamlet’s images and continues to discuss the reason for his delay in taking revenge from the angles of sociology, philosophy of life ontology and social morality.
哈姆莱特的形象入手,试图从社会学、生命本体哲学和社会道德的不同角度,对哈姆莱特在复仇行动上的延宕形成的原因作一些初步的探讨。收藏指正
8.The death of Hamlet is not only simple end but another form of beginning of life.
哈姆莱特的死不是生命的简单结束 ,而是生命存在的另一种形态。收藏指正
9.After giving an analysis to the plot of the play, especially to the two scenes in which Hamlet pretends to be a lunatic and in which he gives up the chance that Claudius is praying, the present article points out that Hamlet is active and he is a prince in action.
本文通过对剧本中故事情节的分析 ,尤其是对哈姆莱特装疯和放弃克劳狄斯祈祷的机会两个情节的分析 ,认为哈姆莱特的性格是以行动为主的 ,他是一个行动的王子。收藏指正
10.Hamlet gives the andience pleasant sensation not by its sensational plots, neither does it obtains its perpetuity by its insights to and criticism of the society.
文章认为 ,《哈姆莱特》既不是以情节的刺激性来赢得观众的“快感”,也不是以社会认知性和批判性来获得存在价值的永恒。收藏指正
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