embouchure
1.the embouchure of a cannon
2.I suggest using double lip embouchure, in my opinion, the most beneficial embouchure, especially for solving problems of biting.
3.Reeds themselves are a basic issue and take a while before you and your embouchure know what you are doing.
4.Depending on your desire to play with this embouchure, you will experience difficulty in playing throat F, and high C.
5.Do not change your embouchure or anything. You must listen all of the time and at first emulate your jazz recordings, and soon you will arrive at your own style.
6.If the tongue is tense, that tension will carry over into the embouchure (and vice versa), interfering with vibration of the reed and frustrating the player.
7.Now, these are not proofs of the double lip embouchure and it being the best one, but I feel that after starting many clarinet kids, who naturally cover both lips, and then feeling the difference in their playing, it is my clear opinion.
